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Nov 4

Sonic Trans-Fusions - Festival SPECTRUM XXI in Berlin, Tel-Aviv and Bucharest

Apresentando Iancu Dumitrescu, Ana-Maria Avram e 2 outros artistas em NK Projekt

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Data

Terça-feira 4 de Novembro de 2014Terça-feira 4 de Novembro de 2014

Local

NK Projekt
Berlin, Germany

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“Both Avram and Dumitrescu are convinced that if they have been able to open new doors in music, it is because they have made or found precisely those connections bandween musical activity and inner life that remain unarticulated in conventional musical training. This is not, however, simply a matter of theit philosophy and motivation as artists. The psychological reality if their music is directly grounded in a conception of the acoustic reality iof sound.”
Tim Hodgkinson, “Musicworks” No 71, Summer 1998,Toronto.

“... Works also features three compositions by ANA-MARIA AVRAM, born in Bucharest in 1961. Wonderful to hear music where textural innovations aren’t employed to colour pre-existing structures, but evolve form in process. On Zodiaque she plays prepared piano opposite Dumitrescu, a percussionist and magnetic tape. Seems like these Romanians are engaged in a similar kind of sonic research to that which resulted in the masterpieces of Giacinto Scelsi and Ennio Morricone : collective endeavour, genuine ‘deep listenning’. The results are similarly overpowering a milion miles from the tootling inconsecuence of most of what passes for New Music in the classical world.
BEN WATSON - The WIRE, LONDON, May 1995

“Avrams descends musically from a long line of European spectralist composers. Listening to her pieces forces one to recall the tradition of composers like Grisey and Murail, and sonically is incredibly reminiscent of earlier proto-spectralists like Giacinto Scelsi. She is most closely associated with fellow Romanian hyper-spectralist Iancu Dumitrescu, with whom Avram works closely as a composer, conductor, and pianist in the Hyperion Ensemble (founded by Dumitrescu in the 1970s). Hyperion is a Bucharest-based chamber ensemble specializing in contemporary classical music, particularly of the spectral, acousmatic variety.
Spectral music can sometimes seem a bit cold, even mechanical, in its execution. Avram's music is particularly remarkable because of the very real warmth with which she imbues each of her pieces. Whether composing a solo work which she herself performs, or a piece for electronics, pre-recorded tape, and an entire chamber ensemble, Avram has a brilliant flair for the dramatic paired with a sense of subtlety that lends great contrast and excitement to each moment of each of her works.
Like other Romanian contemporary composers, such as Stefan Niculescu and Horatiu Radulescu (as well as, of course, Dumitrescu), Avram focuses on the use of bird calls, wind sounds, bells, and "natural" sounds that mix harmonic and inharmonic elements in the creation of her hyper-spectralist pieces. Her music is wonderfully textural and phenomenally beautiful. These clips included here are just a few examples of the already deep contributions Avram has made, at only age 50, to the world of New Music” . WFMU Radio Station

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