Gustav Mahler

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Biografia

Kaliště, Boêmia (7 de Julho de 1860 – 18 de Maio de 1911)

Gustav Mahler (Kaliště, Boêmia, 7 de Julho de 1860 — Viena, 18 de Maio de 1911) foi um dos mais conhecidos regentes austríacos. Atualmente, Mahler costuma ser lembrado como um importante compositor que ligou a música do século XIX com o período moderno, e por suas grandes sinfonias e ciclo de canções sinfônicas, como, por exemplo, Das Lied von der Erde (A Canção da Terra). A sua terceira sinfonia tem cerca de 95 minutos, e é uma das maiores sinfonias já executadas e uma das mais longas do repertório sinfônico.

Mahler escreveu 10 sinfonias (sendo a última inacabada) e 3 ciclos de canções com acompanhamento orquestral. Entre as características mais marcantes dessas obras estão a densidade e profundidade emocional, o longo discurso melódico - algo épico -, a riqueza harmônica e a diversidade da orquestração, sempre grandiloquente.

Pelos enormes recursos instrumentais que suas obras exigem (a Oitava Sinfonia é conhecida pelo subtítulo “dos Mil” pelo número de executantes presentes na estréia), a música de Mahler ficou relegada a círculos restritos por longos anos, até que o advento do LP e o esforço de diversos maestros a partir da Segunda Guerra, colocaram novamente a sua música em evidência, mostrando o grande e rico universo de sua obra.

A música de Gustav Mahler procura romper os limites da tonalidade musical. Em muitas de suas obras há longos trechos que parecem não estar em tom algum. Outra característica marcante das obras de Mahler é um certo caráter denso. Sua obra é marcada pelas preocupações espirituais e filosóficas típicas da passagem do séc.

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  • ConcentricJazz

    Listen the Wyn Morris' 10th. The first five or six minutes of the adagio finale are some of the finest, painful and tragic music ever written.

    16 Jun 20h56 Responder
  • NightXsenator

    Has anyone ever thought of giving some titles to his symphonies? Let's guess!

    16 Mai 17h34 Responder
  • MonarchKingdom

    I actually came to like Bertini's Mahler. Mahler without a doubt was one of the greatest composers of the late Romantic and post-Romantic era.

    27 Abr 20h15 Responder
  • todorix

    τεράστιος καλλιτέχνης!

    2 Abr 19h46 Responder
  • Ali-Red

    such complex instrumentation, he makes use of everything.

    18 Fev 15h23 Responder
  • Oskoreii

    Symphony #6 as recorded by LSO <3<3

    23 Dez 2012 Responder
  • fastlane01

    make it five then

    16 Dez 2012 Responder
  • memristor

    blah blah blah

    27 Nov 2012 Responder
  • anfractuous

    because it is

    22 Nov 2012 Responder
  • gateofnanna

    Every "classical" composers shoutbox seems be composed almost entirely of the same three or four dudes...

    16 Nov 2012 Responder
  • hjbardenhagen

    The sound quality on Last.fm is at least good enough that I can listen to it all day over my HiFi gear, and I don't consider myself deaf yet. Furthermore it's not important if you want to compare the conductor and orchestra performance on different recordings to decide if you want to buy the whole symphony cycle. The main difference will always be if the music speaks to you or not, independent from the sound, e.g. considering historic recordings as well.

    22 Ago 2012 Responder
  • MonarchKingdom

    I'm not much of an audiophile, so I'll probably do that. Although I've never listened to last.fm radio yet. But if I like the recording enough, I'll probably order the CD.

    16 Ago 2012 Responder
  • KeIemvor

    Listening to classical (especially orchestral stuff) on last.fm radio? How is the quality? I bet not more than 192 kb/s mp3, probably lower. Ugh.

    16 Ago 2012 Responder
  • hjbardenhagen

    Many years ago I had the same feeling when listening to Tennstedt as with the old Haitink recordings, most of it was too "sober" for me or too slow to the point of losing the musical flow of the composition. On the other hand there are some streamable Mahler recordings by Tennstedt on Last.fm which I included in the numerical tag radios (e.g. ), and when a track comes up there, I don't have to skip it right away. ;-) By the way, all Mahler symphony tag radios are globally available except #4, so you can compare different recordings with them as well. For example there are great albums on Last.fm by older conductors who did not finish a complete symphony cycle like Bruno Walter, Otto Klemperer or Sir John Barbirolli. One of the current Mahler "specialists" available on Last.fm is Sir Simon Rattle.

    14 Ago 2012 Responder
  • MonarchKingdom

    Actually on last.fm there is always at least one reference point, one can check what the other one making the recommendation listens to. That helps a lot in deciding whether or not his taste is similar to mine or not. Sometimes it also helps if one describes the recording - e.g. it's less emotional, playing with more clarity etc.

    13 Ago 2012 Responder
  • MonarchKingdom

    Thanks hjbardenhagen, I know it's difficult, but sometimes recommendations can be useful, especially if there are some reference points (e.g. in relation to conductors I know, or the same conductor's other recordings I know). Any way I ordered the Tennstedt cycle, and although I like it a bit more than the Bertini one (I will listen to individual symphonies now and then), I cannot feel the enthusiasm I feel for Bruckner's or Beethoven's symphonies. But I guess tastes can differ not just with conductors, but with composers either.

    13 Ago 2012 Responder
  • KeIemvor

    Beethoven's Ninth Symphony

    11 Ago 2012 Responder
  • hjbardenhagen

    I once visited Gary Bertini conducting Mahler's 9th live in Hamburg, and it was one of the best performances I ever heard. I also know some of his Mahler recordings and liked them, too. But I think it's impossible to answer which symphony cycle is "the best if it had to be just one". For example if you want to buy one that is not too expensive, Bertini is one option, but Eliahu Inbal as well, as the label Denon lowered the price of this once expensive Mahler cycle. Of course almost any well-known conductor has recorded at least one Mahler cycle in his career, so the answer gets more difficult, too, especially if personal tastes differ from each other or have changed in the meantime. I did not like the first Bernard Haitink cycle in the past, but heard some very good newer recordings by him which also sound better than the early ones. Bernstein also did two cycles which differ from each other, so the only way to find out is to listen to them. ;-)

    11 Ago 2012 Responder
  • MonarchKingdom

    The Bayreuth Festspielhaus was dubbed a "yeshiva" by anti-Semites of the time, and with a reason. The lead conductor (Hermann Levi, Wagner's favorite) was the son of a rabbi, and countless other musicians were Jewish as well. On the other hand, Mahler was also a huge Wagnerian. So I'm not sure Wagner would really cry.

    22 Jul 2012 Responder
  • MonarchKingdom

    Currently I own the Bertini cycle, and I'm afraid it's not the best. (Although it's not bad, somehow I cannot really like it, and I want to give Mahler's music a fairer chance.) Which cycle would you guys propose? I read many good things about the Tennstedt cycle, but maybe there are others (e.g. Bernstein) that might be worth exploring. If it had to be just one, which one?

    22 Jul 2012 Responder
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