51
|
|
|
|
Triple Etude (after Chopin) (Live)
|
|
|
138 ouvintes
|
52
|
|
|
|
Variation 30 Q = 84
|
|
|
134 ouvintes
|
53
|
|
|
|
Variation 2 - With Firmness
|
|
|
126 ouvintes
|
54
|
|
|
|
Variation 24 Q = 72
|
|
|
125 ouvintes
|
55
|
|
|
|
Quatre Morceaux, op. 12: Chant du soir
|
|
|
125 ouvintes
|
Não quer ver anúncios? Atualize agora
|
56
|
|
|
|
Twelve New Etudes-Book I: Mirrors
|
|
|
123 ouvintes
|
57
|
|
|
|
Kitten on the Keys (Live)
|
|
|
122 ouvintes
|
58
|
|
|
|
Little Nocturne
|
|
|
118 ouvintes
|
59
|
|
|
|
Study No. 42 in a minor (Live)
|
|
|
116 ouvintes
|
60
|
|
|
|
Variation 1 - Weaving - Delicate But Firm
|
|
|
114 ouvintes
|
61
|
Reproduzir faixa
|
|
|
Fauré: Nocturne No. 1 in E-Flat Minor, Op. 33 No. 1
|
|
|
113 ouvintes
|
62
|
|
|
|
Six Pictures from The Devil in the Flesh: A Corner in the House of Innocence
|
|
|
111 ouvintes
|
63
|
|
|
|
Quatre Morceaux, op. 12: Nocturne
|
|
|
110 ouvintes
|
64
|
|
|
|
Berceuse in D flat major, Op. 57
|
|
|
109 ouvintes
|
65
|
|
|
|
Fauré: Barcarolle No. 4 in A-Flat Major, Op. 44
|
|
|
109 ouvintes
|
66
|
|
|
|
THE PEOPLE UNITED WILL NEVER BE DEFEATED - Thema- With determination
|
|
|
109 ouvintes
|
67
|
|
|
|
Quatre Morceaux, op. 12: Etude fantastique
|
|
|
108 ouvintes
|
68
|
|
|
|
Variation 1 Weaving- delicate but firm
|
|
|
107 ouvintes
|
69
|
|
|
|
Twelve New Etudes-Book IV: Vers Le Silence
|
|
|
107 ouvintes
|
70
|
|
|
|
Negaceando (chôro) (Live)
|
|
|
107 ouvintes
|
71
|
|
|
|
Variation 2 With firmness
|
|
|
105 ouvintes
|
72
|
|
|
|
Twelve New Etudes-Book I: Récitatif
|
|
|
105 ouvintes
|
73
|
|
|
|
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): III. the Alcotts
|
|
|
104 ouvintes
|
74
|
|
|
|
Sonata Rhythmikosmos: Slow and sonorous
|
|
|
104 ouvintes
|
75
|
|
|
|
12 Etudes dans les tons majeurs, Op. 35: No. 8. Allegro assai
|
|
|
102 ouvintes
|
Não quer ver anúncios? Atualize agora
|
76
|
|
|
|
Carnaval for piano, Op. 9: Pantalon et Colombine
|
|
|
101 ouvintes
|
77
|
|
|
|
Toccata on “L'homme armé” - Live
|
|
|
98 ouvintes
|
78
|
|
|
|
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): II. Hawthorne
|
|
|
98 ouvintes
|
79
|
|
|
|
Piano Sonata No. 2 ("Concord, Mass., 1840-1860"): I. Emerson
|
|
|
97 ouvintes
|
80
|
|
|
|
Thema Tempo I
|
|
|
96 ouvintes
|
81
|
|
|
|
Variation 16 Same Tempo As Preceding, With Fluctuations; Much Pedal
|
|
|
96 ouvintes
|
82
|
|
|
|
Variation 8 With agility, not too much pedal, crisp
|
|
|
94 ouvintes
|
83
|
|
|
|
Fauré: Nocturne No. 5 in B-Flat Major, Op. 37
|
|
|
93 ouvintes
|
84
|
|
|
|
Cadenza (Optional Improvisation)
|
|
|
93 ouvintes
|
85
|
|
|
|
Carnaval for piano, Op. 9: Reconnaissance
|
|
|
92 ouvintes
|
86
|
|
|
|
Fauré: Nocturne No. 4 in E-Flat Major, Op. 36
|
|
|
91 ouvintes
|
87
|
|
|
|
Kapustin: Sonata #1, Op. 54 - 1. Allegro Molto
|
|
|
91 ouvintes
|
88
|
|
|
|
The People United Will Never Be Defeated! - Thema - With Determination
|
|
|
90 ouvintes
|
89
|
|
|
|
Barcarolle No. 4 in A-Flat Major, Op. 44
|
|
|
88 ouvintes
|
90
|
|
|
|
Schorschi-Batschi (Foxtrot) (Live)
|
|
|
87 ouvintes
|
91
|
|
|
|
Colonial Song (Live)
|
|
|
86 ouvintes
|
92
|
|
|
|
Variations on a theme of Paganini: Var. 3 & Var. 4. Meno mosso, marziale
|
|
|
85 ouvintes
|
93
|
|
|
|
Pavane variée: Theme. Moderato molto, poco misterioso
|
|
|
84 ouvintes
|
94
|
|
|
|
My Feelings About Chocolate
|
|
|
83 ouvintes
|
95
|
|
|
|
Variation 8 With Agility; Not Too Much Pedal; Crisp
|
|
|
83 ouvintes
|
|
96
|
|
|
|
Allegro assai
|
|
|
81 ouvintes
|
97
|
|
|
|
Variation 11 Tempo I- Like fragments of an absent melody - in strict time
|
|
|
81 ouvintes
|
98
|
|
|
|
Variation 16 Same tempo as preceding, with fluctuations, much pedal
|
|
|
81 ouvintes
|
99
|
|
|
|
Six Pictures from The Devil in the Flesh: Departure
|
|
|
80 ouvintes
|
100
|
|
|
|
Variations on a theme of Paganini: Var. 5. Alla barcarola
|
|
|
79 ouvintes
|